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Every month the Inside Track series poses the question "How did you mix that hit?
” The answers given by different mix engineers can vary greatly, but nearly always involve a state-of-the-art DAW, hundreds of tracks and plug-ins, and frequently a massive automated mixer and a huge quantity of outboard gear too.
Western Electric, the manufacturing and marketing arm of AT&T, decided to seek to lease the Western Electric system equipment to the phonograph recording companies. The Western Electric system was demonstrated to the Victor Talking Machine Company during 1924. The Western Electric system was to be licensed and leased; not sold, and was expensive. Western Electric recording systems were then made available in the latter part of 1924 to Victor and also to Columbia to evaluate. This is presumably also the source of the excerpt of the Coriolanus Overture recorded electrically from a December 17, 1923 broadcast by van Hoogstraten and the New York Philharmonic included in recent 10 CD set: The New York Philharmonic: The Historic Broadcasts 1923-1987.However, some people still wave the flag for different ways of working, one of them being Kevin Augunas.
The producer, mixer and engineer has worked with the Black Keys, Lostprophets, Melissa auf der Maur, Cold War Kids, Edward Sharpe and the Magnetic Zeros, J-Roddy Walston and the Business and Jon Brion, and last year mixed the Lumineers' self-titled debut album, which reached the US top 10 — an impressive achievement for the hitherto completely unknown folk trio from Denver, Colorado.Fairfax Recording's control room is dominated by two pieces of gear which weren't used on the Lumineers album: the Scully 16-track (far left, with remote at the left of the console) and Altec mixer (centre). I don't know many technical things in the engineering and mixing process. For instance, if you put things through a Pultec or a Fairchild, you can't get a bad sound out of them, you just get different sounds.